Part II: on the performance of fandom (belonging)
Fandom courtpet Fandom courtpet

Part II: on the performance of fandom (belonging)

This is meant to be part 2 of a ‘performance of fandom’ double shot but as I was writing it I realised the ‘performance of belonging’ was a more apt name. The first part was about my most recent concert experiences and the give and take between artist and audience. When you tackle this idea with large global fanbases like Swifties or BTS ARMY, the performance becomes much more than one fleeting moment of connection. Each experience builds upon the next, creating an entire universe of narrative threads and emotions for millions of people around the world.

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Part I: On the performance of fandom
Fandom courtpet Fandom courtpet

Part I: On the performance of fandom

I’ve been to three concerts in the past month and they’ve got me thinking about the performance of fandom. In the age of streaming, we have such instant and high quality access to music that we don’t really need live versions. So why do concerts exist? In my mind, it’s because we’re all in constant pursuit of moments of magical reality. When I go to a concert I’m hoping to find the bridge between the inner kingdom that internalises and canonises music, and the outer kingdom within which I pay bills and fully expect to eat / sleep / work until I die. Finding and crossing this bridge comes at a cost, and that cost is a performance of appreciation to an artist.

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